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Society has always valued beauty. In literature, ­attractiveness often represents an excellent protagonist, while ugliness indicates the atroce antagonist. As children we are taught, without realizing this, to award beauty. Persons of every competition and traditions have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting cordons in Victorian

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Society features always appreciated beauty. In literature, ­attractiveness often signifies an excellent protagonist, whilst ugliness shows the repugnant antagonist. As children our company is taught, without realizing that, to reward beauty. People of every competition and culture have gone to extremes in the name of beauty – from foot-binding in China and tiawan, to dangerously constricting cordons in Even victorian

Culture has usually valued magnificence. In books, ­attractiveness frequently symbolizes a great admirable protagonist, while ugliness indicates the abominable villain. As kids we are trained, without even noticing it, to prize beauty. People of every race and culture have become to extreme conditions in the name of natural beauty – via foot-binding in China, to dangerously constricting corsets in Victorian Culture has constantly valued magnificence. In literary works, ­attractiveness typically symbolizes an admirable leading part, while ugliness indicates the abominable villain. As children we are trained, without even realizing it, to prize beauty. People of every race and culture have become to extreme conditions in the name of magnificence – via foot-binding in China, to dangerously constricting corsets in Victorian Contemporary society has always valued splendor. In literature, ­attractiveness typically symbolizes a great admirable leading part, while ugliness indicates the abominable antagonist. As kids we are trained, without even knowing it, to prize splendor. People of each race and culture have become to two extremes in the name of splendor – from foot-binding in China, to dangerously constricting corsets in Victorian Culture has constantly valued magnificence. In materials, ­attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even recognizing it, to prize natural beauty. People of every race and culture have hot to extreme conditions in the name of splendor – via foot-binding in China, to dangerously tightening corsets in Victorian Society has constantly valued beauty. In literary works, ­attractiveness typically symbolizes a great admirable leading part, while ugliness indicates the abominable antagonist. As kids we are taught, without even realizing it, to prize natural beauty. People of each race and culture have gone to extreme conditions in the name of natural beauty – via foot-binding in China, to dangerously constricting corsets in Victorian Versus

Society has always highly valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, although ugliness signifies the abominable antagonist. Since children were taught, without even realizing that, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in Chinese suppliers, to dangerously constricting corsets in Victorian Society offers always highly valued beauty. In literature, ­attractiveness often symbolizes an admirable protagonist, when ugliness indicates the atroce antagonist. Since children our company is taught, without even realizing it, to reward beauty. Persons of every competition and culture have gone to extremes in the name of beauty – from foot-binding in Cina, to dangerously constricting cordon in Even victorian Society offers always highly valued beauty. In literature, ­attractiveness often signifies an admirable protagonist, although ugliness indicates the repugnant antagonist. Because children were taught, without even realizing this, to prize beauty. People of every competition and lifestyle have gone to extremes in the name of beauty – from foot-binding...

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